by Michael Keenan
DREAMS IN THE WITCHHOUSE, SWAN
POINT, RHODE ISLAND
Maple blossoms for Lotte
and a tyrant snow
I left that night
because I
had a horrible
dark
feeling, there
was nothing there
for me, nothing
left, nothing
to begin
with 10 months in the mirror, watching you/fade
I needed something
A pine-forest-frenzy, coming
full-on-night
A mirrorball
macabre, no more
snow,
All
the crosses in Greenville,
A blank page: in a book of blank pages.
BATHHOUSE OF THE WINDS
Spiral staircase
to
a few
more daylights,
isn’t so much to
ask
VICTORIA’S WINTER
Familiar breath-
-chains, open, sudden-
-ly slipping off your glass heart softly:
sun-drenched photographs
taking themselves
FROM OLNEY
HYMNS
Starlings, Darkness,
are a throne, although the
day
will steal its own
lantern. Sit back,
cut off
another piece of pineapple with
your legendary neon
bowie knife,and
wait in
the window for
the next ship to come. Old
Summer.
A few intimacies on Avenue A, dandelion-
-wine
Provencal daughter of
the salt-flats,
trust me.
BATHHOUSE OF THE WINDS originally appeared in alice blue #16
TRANSLATIONS ON WAKING IN AN ITALIAN CEMETERY will be published by A-Minor Press in June 2014.
While alternately wandering through Rhode Island cemeteries and obsessively watching Twin Peaks, Michael Keenan wrote the chapbook, TWO GIRLS, which was released by Say No Press in 2009. Shortly thereafter he received his MFA in Literary Arts from Brown University and moved to New Orleans, Louisiana where he drove a waffle truck around the French Quarter and wrote poems on receipts from Café Du Monde, some of which have appeared in Poetry International, the PEN Poetry Series, Fence, A-Minor Magazine, RealPoetik, Paul Revere’s Horse, Caketrain, Right Hand Pointing, Ad-Hominem Art-Review and Blue Fifth Review, among others. Currently Michael spends his days at Columbia University.